Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Maria Sibylla Merian
Bush Rose with Leafminer Moth,Larva,and Pupa

ID: 38915

Maria Sibylla Merian Bush Rose with Leafminer Moth,Larva,and Pupa
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Maria Sibylla Merian Bush Rose with Leafminer Moth,Larva,and Pupa


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Maria Sibylla Merian

German Baroque Era Illustrator, 1647-1717,Daughter of Mattheus Merian. After her father's death, her mother married in 1651 the flower still-life painter Jacob Marell, who became Maria Sibylla's teacher. On 16 May 1665 she married Johann Andreas Graff, another pupil of her stepfather. She thenceforth specialized in illustrations of flowers, fruit and, especially, grubs, flies, gnats and spiders. In 1670 the family moved to Nuremberg. In 1675 Sandrart referred to her in the Teutsche Academie, reporting that she painted on cloth (i.e. silk, satin). With Graff, she produced a book of flowers, the first part appearing in 1675; a second edition, enlarged by parts 2 and 3 ,came out in 1680, entitled Florum fasciculi tres. It included 36 engravings intended to serve as patterns for embroidery.  Related Paintings of Maria Sibylla Merian :. | Portrait of Jacob Trip sf | Kald vinteraften | Water Lilies | The Four Hoschede Childern Jacques,Suzanne,Blanche and Germaine | Antibes Seen from the Notre Dame Plateau |
Related Artists:
Markus Pernhart
Markus Pernhart (1824-1871)
Theo Van Rysselberghe
Belgian Pointillist Painter, 1862-1926 was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the century. Born in Ghent to a French-speaking bourgeois family, he studied first at the Academy of Ghent under Theo Canneel and from 1879 at the Academy of Brussels under the directorship of Jean-François Portaels. The North African paintings of Portaels had started an orientalist fashion in Belgium. Their impact would strongly influence the young Theo van Rysselberghe. Between 1882 and 1888 he made three trips to Morocco, staying there a total of one year and half. Barely 18 years old, he already participated at the Salon of Ghent, showing two portraits. Soon afterwards followed his Self-portrait with pipe (1880), painted in somber colours in the Belgian realistic tradition of that time. His Child in an open spot of the forest (1880) already departs from this style and he sets his first steps towards impressionism.
Johan Olaf Sodermark
painted Henri Beyle in 1840






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